Showing posts with label LANVIN. Show all posts
Showing posts with label LANVIN. Show all posts

LANVIN X H&M, IN INK.






With Las Vegas scooping up most of the leftover Lanvin for H&M and I was too little too late to even recruit anyone around the globe to grab me my favourite pieces while the rest of the bloggers are gloriously showcasing their desirous loot online, I chose to vent out that 'bitterness and frustrations' elsewhere.

Fine-tipped pen and papers are good venting machine, no? And Alber, if you are reading this, I am absolutely available for hiring! Illustrations are available for prints and etcetera, kindly drop us an email for details. More designs and information will be posted on fanpage.  

To add, H&M is set to open its first store in SE Asia in fall of 2011. The store will be located at Orchard Building (Califonia Fitness), next to Mandarin Gallery. Watch out for that!

Ridhwan.


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ACCESSORIES, MENS S/S 2010 HIGHLIGHTS.





Louis Vuitton Mens S/S11 Paris.

For most, the go-to brand when purchasing a designer bag or accessories would be Louis Vuitton. With Marc Jacobs reinventing the classics, the conventional monogram never gets old. This spring, in line with the ‘active-wear’ trend, the house of Vuitton sent droves of ‘sporty’ bags down the runway. For the brand-whores, it might be a little disappointing— monograms were lightly imprinted; the Damier pieces were current and the leather goods are elegant. Simply put, there’s something for everyone, the sartorial man or the eccentric.





Burberry Mens S/S11 Milan

Oh Burberry, every young lad’s fashion fantasy. I must say, it’s a little too late for the rockability chic but damn, those pieces are stunning! I had the privilege of previewing some of the pieces beforehand and it wasn’t as impressive as on the runway. I like the fact that most of the bags are not your average in-your-face accessories and very understated. When previewing the lookbook, I was immediately drawn to those sandals— but again, I think Burberry don’t cater for the masses, only the hip and young.






Lanvin Mens S/S11 Paris.

Expect ridiculous prices for Lucas Ossendrijver’s innovative designs. The accessories are tribal-inspired and sporty; again, a key trend in menswear fashion since last fall. The shoes, bags and accessories are second to none—It’s really nothing revolutionary, the brand is known for it’s radical approach but this season was simply amazing. So much so that it put some womenswear collection to shame.

I’ve always wanted a Lanvin’s footwear but it will cost me about six months worth of my lunch money. Let’s hope that when I can afford these, Alber’s apprentice would still be design for Lanvin Homme.

Dinie.


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PARIS MENS S/S 2011 HIGHLIGHTS.






Call me crazy but I’m showing a little more interest in Thom Browne’s works. In a season where sporty, shorts and suits were highlighted on most shows, Thom Browne made them to perfection. If Monclear had bicycle prints, the suits here are embroidered with cute little fishy and sharks. Still a little gimmicky for me (the models had to unzipped themselves from space suits) it was definitely less theatrical than Monclear.







Sweet-Sugar Papa Pilati, thank you for fulfilling my design fantasy. Like you, I would wear every look from this collection. With every season past, the collection gets even more refined and abstract. Many disapprove of this collection because of the high-waist and the pairing of polka dots shorts and that it was too ‘soft’ for the average Yves Saint Laurent man (Whatever that means). I would have to agree but I don’t find any of the pieces ill fitting or too feminine. I guess it all comes down to the casting of models; it was a little ‘demure’ then usual. Then again, it’s his vision and for me, it was all I ever dreamed of designing! (Talk about missing design school,ugh.)






Like any other Lanvin collection, it’s the close-up that matters. It brings so much more worth to the garment itself, the work that was put into every single pieces were stunning. This was more captivating of the recent menswear collection; it had lots of details, textures and fabrics. I especially like the footwear and the continuation of jewelry designs from the womenswear line. The apprentice learns fast, Lucas echoes Alber’s aesthetic more and more!

Dinie.


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LANVIN HOMME- LUCAS OSSENDRIJVER.







Another ‘first-to-see’ collection for every men’s fashion week is Lanvin. While many know Alber Elbaz as the successor behind present Lanvin, the designer of men’s ready-to-wear is Lucas Ossendrijver.

Previously, Ossendrijver worked for Dior Homme with Hedi Slimane—Yeah, that collection that everyone raved about. With the success of Dior Homme, he soon joined Lanvin in ’05.

Lanvin Homme has its own identity, like how I think Miu Miu Homme, Burberry or Dries does, it is unique in its own way and you will never mistaken it for a Dunhill or a Zegna.

There is so many things that I need in life; a trench from Burberry, A bag from Hermes, a silk tie from dries but there are too many that I need from Lanvin; Let’s start with the beaded sneakers.

Images via The Selby.

Dinie.


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PARIS MENS S/S 2010 HIGHLIGHTS.



Paris offered what Milan didn’t and possibly couldn’t. Galliano’s design was close to non-existence and simply atrocious. Nevermind the hundreds of designers with endless exploration on deconstruction and Damir Doma alikes, my mind is set on my favorites.

Two words: Playful Practicality. The styling at Lanvin was sheepishly looking like Drew Barrymore’s character in Charlie’s Angel. (Remember when she disguises herself as a man with the stache?) The relaxed languor mood in the clothes still represents the house menswear aesthetic. Like the rest of Paris show, there were traces of Sportswear -- Lanvin’s was subdued than the rest. The collection appeared feminine. That femininity was overcome with added details such as rep ties and pocket squares.



The unique artisanal approach at Dries Van Noten with mismatch fabric challenges the imagination. Uncommon textiles for menswear collection, traditional Southeast Asian textiles were reduced to the simplest form – What seems to be Songkets were sculpted into sharp double-breasted jackets. Ironically, the soundtrack that accompanied this modern-ethnic inspired collection was ‘boom boom pow’.



Raf Simons is no longer obsessed with the Future; he presented a new generation of Adams known as ‘The Second Decade’. Not like what we’ve seen in the past collection, it feels like the brand is maturing rapidly. The Raf Man is all grown up. I particularly liked the halfway cummerbunds with the utility belt fronts.

The location was a garden and supposedly the Garden of Eden inspired the concept. That explains the redundant belts coiling on hands, necks and waist. Perhaps it symbolizes the serpent or simply one of cases of an innovative design gone wrong.

Image Via WWD & Various Sources.

Dinie


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